Performance.
- Untitled -
This performance explores the body as a canvas and medium for transformation. My work is based in contemporary dance improvisational practices similar to butoh or gaga with costume used as a strong influential tool in generating characters. I employ materials such as organic matter, found objects, clothing, paint, and makeup to distort/ mask/ magnify/ expose aspects of my form that work together to exemplify the fluidity of the identities.
I would build upon myself to create a living sculpture that exudes character, from here I would explore this character further through movement.
My improvisational practice is entirely immersive entering a deep trance state that allows me to detach from my ego and exploit the limits of my body’s potential for transformation. Once I have become this new being entirely and I feel I have explored all there is to explore I will shed and start over to the next character.
The characters will be based on influential people and moments in my life, for example, I relate to my mother, interpreting her and my childhood self in this performance.
Throughout the performance, I will identify and disseminate the many personalities I have found to build my sense of self, therefore identifying myself as fluid and multiple rather than static and singular.
This piece celebrates transformation and ever-changing identities while challenging the pressures to strongly self-identify or categorise oneself and stick to it. This pressure is often felt very strongly within the trans community.
Bio.
​Silas Grocott Cain has a BA in contemporary dance from London Contemporary Dance School and an MA in contemporary dance performance from Northern School of Contemporary Dance where she embarked on an international tour with choreographers Matteo Marfoglia, Joy Alpuerto Ritter, and (LA) horde. She received the award for dance from the Chelsea Arts Club Trust in 2022 for outstanding promise among their fellow students and has since gone on to work as a resident artist at the Koppel Project and INFERNO. While working as part of the residency program with INFERNO Silas worked under the mentorship of Lewis G. Burton to create a 2-hour durational work performed in the middle of an INFERNO rave